Archive | Post Production

Grim Studies The Script

Dragons, Reapers and Guerilla Filmmaking: Turning Writer to Director With My First Short ‘Brian & the Grim Reaper’

Guest post by Eben Skilleter Ahead of the final Guerilla Filmmakers 2 Day Masterclass next month, I asked past delegates to share their post event experiences. Here’s what Eben Skilleter got up to… Inspiration, Then Perspiration – Pre-production Trudging across a Hampshire field, in full retreat from the merciless weather, I wonder if I’ve gone […]

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Compressed

Soundtrack for Cannes

One of the problems with presenting Gone Fishing out in the world is that the soundtrack is very dynamic. The loud bits are very loud, the quite bits are very quite. Great if you are in a cinema, not so great if you are in a noisy café in Cannes! To combat this, I have […]

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Modisk

Dolby Digital MO disk collected

Last Friday I collected the MO disk of the Dolby Digital 5.1 mix for the 35mm prints of Gone Fishing. I had a brief glimpse into the Dolby transfer bay, which was a surprisingly compact room, looking more like a machine room at a small post production company than an audio lab. But then I […]

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Scanner

Scanning Gone Fishing on to 35mm

Today I went to Cinesite to meet with the legendary Mitch Mitchell, to discuss how we are going to get ‘Gone Fishing’ onto 35mm. Mitch is a very experienced digital post production guru, who has even written one of the best books on the subject – Visual Effects for Film and Television. Cinesite have worked […]

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Laura

Makining HDCam Downconvert tapes

I spent most of yesterday working with an editor friend of mine, Laura Kettle, in a large post production facility in West London. We had a number of jobs to do on ‘Gone Fishing’, first of which, was re-laying the newly mixed soundtrack onto 2 HDCamSR tapes. After some messing around we managed this fairly […]

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Grade

What's next for Gone Fishing?

So now we have tow major steps to complete for Gone Fishing. First is getting it out there, getting the film working for us, especially with regard to things like film festivals, awards, agents, managers, studio executives etc. More on that in the next few days. The other major step is to complete Gone Fishing […]

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Mix

More Creative Issues…

Six days to go…(blimey) And still the film is not complete! I spent this morning back at Midnight Transfer, completing the picture grade. Editor Eddie Hamilton came in to take a look and some very minor tweaks were made – one frame here, two frames there, shaved of shots – mainly because we could see […]

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Roheap

The Final Sound Mix Begins!

Today was the first day of the final mix for the soundtrack to ‘Gone Fishing’. It took place at Videosonics, where on and off for the last six weeks, sound designer Bernard O’Reilly has been crafting a wonderful soundscape for the story. Today was the start of mixing all of those elements, along with the […]

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Grade

Picture Grading… The Final Day…

We completed the grade on Friday, but it’s got to today to update the blog, Christmas day (!), as I left the grade and immediately fell ill with food poisoning! So no celebrations for me this year. The grade went well. Extremely well in fact. Everyone is delighted with the outcome. However, there are  few […]

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Mt

Grading – The First Day…

I spent today at Midnight Transfer, with senior colourist John Claude, and ‘Gone Fishing’ DP, Vernon Layton, conforming the movie and colour grading it. During the day we had a few visitors, other director and producer friends of mine, and some of the GF contributors – and everyone commented ‘Wow! It looks amazing!’ The first […]

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Theatre1

Bringing it all together…

I have been frantically dashing around, making sure everything is ready for the final picture conform / picture grade tomorrow at Midnight Transfer. Thankfully I have been pretty organised through the whole process, so while it’s a long haul, so far there have been very few unforeseen hitches. Let’s hope it stays that way. (pictured […]

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Matte_painting001

Matte Painting Complete!

Blimey! I really mean it. Blimey! How amazing is that!? Top right is the original image, shot by second unit director Simon Cox, and the image below is the final matte painting, Audrius Urbonavicius did for us, and comped into place. Above the new mountains are some whispy clouds which will be animated to enhance […]

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Vo

The Voice of Goliath

I just spent a very enjoyable morning with sound designer Bernard O’Reilly at Videosonics. We booked the final mix (where everything is mixed into a single soundtrack) in on Jan 3rd and 4th, so it’s all guns blazing between now and then to track lay all the sound effects. It’s such a pleasure to work […]

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Making A Bigger Worm…

I asked Russ Wharton to detail exactly how he has gone about increasing the size of the worm in one shot from Gone Fishing. Here’s what he has said… Interesting if you are into digital VFX…Anyway, here are his words… If you know you need a bigger worm before you film, then film the actor […]

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Hydro

Sound Recording at Bury Hill

Today we spent a cold session back at Bury Hills Fisheries recording sound effects for the enormous killer pike in Gone Fishing. Senior sound designer Bernard O’Reilly and two of his team, Barnaby Smyth and the extremely brave Stuart Bagshow (seen here in the water) generally thrashed around in the water, stomped on wooden jetties […]

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Worms

How big is your worm?

Sometimes, I reflect on what I do, and I really have to pinch myself. Most people have real jobs! Sure, what I do means I live in a famine and hope for a feast, but every day is different. And today, I was presented with the very serious question of ‘how big should the worm […]

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The waiting game…

Now that the picture edit has been locked, we have entered a waiting game for the final picture mastering, sound edit & mix, and the visual effects. We have got top people and companies working on all three aspects, but as they are all at the top of their game, and as we are not […]

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VFX starts

We have begun the visual effects stage for Gone Fishing! Hoorah! Yesterday, Midnight Transfer took the 35mm film and scanned selected shots on their Northlight scanner. The shots were outlined in a EDL supplied by Eddie Hamilton (Editor) and are just the shots that need visual effects work. We shot both 3perf and 4perf 35mm […]

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